Showing posts with label ink. Show all posts
Showing posts with label ink. Show all posts

05 October 2016

InkTober

Holidays are funny things, many with storied histories ranging from quirky to downright dark. Many are holdovers from Pagan rituals while others mark historical events (birthdays, wars, deaths, etc.). These can be repurposed as religious holidays, their original meanings glossed over in an almost Orwellian fashion, and others get put through a Kafkaesque wringer of red tape for the sake of making 3-day weekends in February. I'm sure there's at least two holidays that were made up by greeting card companies to fill a gap in their schedule. Many controversies have been sparked over to what extent a holiday should be observed, especially in regards to school closures. Comedians have built careers on the reality of the crawling chaos that is Christmas, with Black Friday bleeding into Gray Thursday (while Small Business Saturday never quite catches on). 

As time goes on, I've found I get less and less enthusiastic for holidays, ignoring most altogether and avoiding whatever I get roped into. For example, I've plans to see my family in December, but to be long gone at least a good week before Christmas Day. I'm also having my own Thanksgiving dinner this year with my roommate due to various rifts in her family that have left it deeply splintered. Part of me is a bit nervous about this, mostly from people placing an alarming emphasis on specific days holding specific meaning. 

"But it's about spending time with loved ones! And if it's not on the day..." they cry out, to which I whisper back, "Who's says I'm not already doing that?" Seriously, I don't get the idea that somehow a gift from someone you care about is less important on one day than another. Sure, Christmas Every Day diminishes the, er, meaning or importance or significance or mojo or whatever, but it's not a comet during an eclipse, either. Still, it gives me pause. I wonder if I'm missing something, if I've just become some embittered Scrooge sitting in the corner with arms folded and punctuating the statement with a mighty, "Harumph!". 

Then I realized there was a double standard in my thinking. I was cynical towards "traditional" holidays, but "new" holidays were getting the No True Scotsman treatment by yours truly. I was saying Pi Day was dopey, Talk Like a Pirate Day was stupid (I mean, okay, it kind of is, but you'll see where I'm going with this), Palindrome dates are an excuse for semi-clever marketing (9-9-99, 11-11-11), and Christmas in July is just an excuse for kids in summer camp to make ornaments in Arts & Crafts. Now, when I see people posting their old photos for Throwback Thursday or adorable kitten videos for Caturday, I may not get as excited for it as I do New Year's, but events like NaNoWriMo come closer than Talk Like A Pirate Day ever could. Tumblr taught me that October is Black Cat Month, when cat lovers paradoxically raise awareness about violence against black cats around Halloween as well as their statistically lower adoption rates while many shelters set moratoriums on adoption because of the aforementioned violence. I think it's great to see people get excited like this over some shared interest. My point is it's as valid as any other holiday, even if you don't get the day off. 

As much as talking about black cats got me riled up, I'm simultaneously "celebrating" black cat month with another internet-inspired holiday: Inktober. Started by illustrator Jake Parker back in 2009 as a challenge to himself, the idea is simple: each day has a word or other kind of prompt attached to it, and you make an ink-based illustration for each one. Proper hashtags are applied when posted to social media to make your work searchable for other participants and onlookers, and you get to see radically different interpretations of the same given theme. There's a few other takes on it, different prompt lists or simply keeping the "one per day" part. There's no wrong way to participate, really, but I decided to stick with the original, and have been for the past week. 

I am doing things a little differently, though, if only by my own standards. I've been drawing digitally almost exclusively for around a full year, off and on for maybe another two. Despite my misgivings, I have generally not missed working traditionally, especially the scanning and photographing and editing of pieces before being uploaded and posted to my DeviantART or ArtStation or even Twitter. For this Inktober, I thought it might be fun to go back to the simple purity of ink and paper, but I didn't want to go through the hassle of scanning. So, I made a kind of compromise. The drawings I post to my Instagram (where this event really seems to come alive) are taken with my iPhone, sometimes at odd angles and many times with shadows left in, and then edited in some program like Aviary or Pixlr or Paper. The edits are generally cosmetic, mostly tilt shift focus or vignetting or color filters, and no new lines are added to the original drawing nor is any part of the drawing erased (only cropped). 

Whatever you celebrate, have fun with it. 

13 May 2014

Abyss Tract


This is the other scrap of paper I was trying to use up. 

The Last Nerve


Part of a quick-n-dirty project to get rid of these two scraps of watercolor paper I'd made backgrounds on but never found any projects for. 

27 July 2013

Rubeno Florajoj

I posted this to my aunt’s Facebook timeline. She can’t see it right now while she’s in the hospital (not to mention heavy sedation following the surgery for her stroke, which was while recovering from a previous surgery for removing a tumor), but she said she really liked my red and black ink pieces. I happen to like them, too. They’re a kind of comfort zone for me. 

Initially, there was green for the grass, and I tried a texturing technique involving marking up my fingertips and rolling them gently along the bottom to create leafy-looking streaks. It really didn’t turn out that well. These do look best when it’s only the red and black against stark white. There is a smaller trading-card sized version of this that does have green grass, and it looks okay there.

26 June 2013

Planarianes


Hadn't distressed paper with tea in some time, so I cut up my cheap watercolor paper again into tall strips. It has a nice texture to work with, and the wide landscape format carries its own special challenge. After applying the green tea and letting it sit for a bit, I got the idea to give it a reddish tint by really diluting the red ink I use and applying it as a thin layer, something that would give the impression of dried blood on parchment. It was also a nice change of pace to have a more earthly color palette instead of the normal stark whites and cool blues I tend to favor. 
I love sumi-e ink and wash paintings as well as traditional Asian calligraphy, both ideas I wanted to visit for this piece. 
This has also become a somewhat impromptu preview of a project I've had on the backburner for far too long. If you saw my "Magic Middle Finger" piece or my Elements Journal video, you saw part of it already. I worried about repeating myself, but these are thematically different enough that I didn't even want to give it a similar name. 

19 June 2013

Snowfall


Got the idea for this from a Royksopp video. It was a fan-submitted rendition of their song "The Drug"  that used very simple, almost abstract neon shapes for rather fluid animations. One sequence showed a forest, conveying scale and distance using only parallax scrolling and basic perspective. The idea of a forest got me thinking about D2 for the Dreamcast. It had this really eerie opening cinematic of a man drudging through the snow, bloodstains accompanying his footprints. The red really stood out against the white... and then it turned green. I wanted something to convey that same unsettling feeling. May have honestly gone overboard on the blood. I'd forgotten how much ink my nylon brushes actually absorb ink and ended up overestimating. It's only problematic because while the texture of this watercolor paper (cheap stuff) works for the snow and trees, it doesn't quite work for the blood. Ah, well, it was an exercise to get me back to making art after a fairly slow period I'm still going through. June and October are almost always Hellish months for me for various reasons, and I've simply felt very bogged down and unmotivated to start anything planned or finish anything in the works. I can't let myself fall into that kind of spell, even if I've still been keeping up with my "notebook" quota of a page per day, even if it's a short list in Evernote or something.

01 June 2013

Practice > Perfect


OR:
Vent-ish Art of Sorts
 
Fun fact before I drone on in a "woe-is-me" fashion: this was originally upside-down, the red veins meant to convey "branches and trunks" of sorts. When I looked at it again, after applying the horizontal lines, I realized they looked more like roots hanging over an underground river, so I flipped it around. Good thing I didn't sign it ;P 

It's been a rather rotten day, the sort where this is the best thing to come out of it, and it was merely practice before the main shoot. 
I'd planned to shoot three videos today. They weren't anything special, little more than, "Hey, look at these ridiculous things" plus a trailer for the ePub edition of The River of Blood going live on Smashwords, as well as possibly some reader stores like Kindle, Kobo, and Sony. However, the first ridiculous thing video this morning simply fell apart. I had one of those epiphanies best summed up as, "The Hell am I doing?" It didn't help that for all the talking points I had worked out, they didn't fit together as well as I thought once I started rolling. It's like those behind-the-scenes docs where the team is putting together a monster costume, making sketches, forming molds, shooting test footage in the lot with a camcorder, and it's all looking real good... then they get it on set and everyone realizes how utterly ROFLMAO stupid it looks. 
So, I figure, "Brush it off, I haven't made a video in a while." and write the whole thing off as practice. I decide to hold off on the second one, which is just showing off something funny about a notebook I bought (don't pretend there aren't worse things on YouTube with a thousand times the hits my whole channel gets), and double-down on the third, the trailer. It involved a lot of fairly complex editing of very tight shots of me painting the cover illustration (or rather, an approximate likeness thereof). In the meantime, it was a very frustrating day out with my roommate, whose recovery from abdominal surgery has her in a fair amount of pain; pain's she's somehow convinced (like far too many problems in her life) can be alleviated by whining about it endlessly whilst carrying on doing things to aggravate it. It didn't stop there, suffice it to say: Not a great day on that front. 
Managed to wind down after that, get a bit relaxed so I could work on the trailer video, making the practice image above to nail down a brush technique, which can be a bit hard to do with Sharpie brushes as they tend to dry out fairly easily mid-stroke. I've got some calligraphy markers from them that may fair a bit better if I make anything like this again, though the fading does have a nice effect in their own way (like my sumi-e pieces). The video frankly looked ridiculous, totally unfitting with the tone of the story, and I realized I was simply not in the mood to edit the damn thing. Like post for my drawings, editing for videos is the step I like to minimize as much as possible. If I were a Hollywood director, I'd be very much in the Kubrick vein of the long take. 
I may still resurrect the trailer later, possibly tomorrow, on the off-chance I wake up in better spirits. It's not likely, which is why I'm posting this here.