Showing posts with label tumblr. Show all posts
Showing posts with label tumblr. Show all posts

09 January 2014

Chipmunks Filled Cheeks (Venusian Radio Pilot & Filler episodes)

It's rather funny that hosting video on the web is fairly easy thanks to services like YouTube or Vimeo, but hosting audio (podcasts) is a little less user-friendly. If I make a video, I can use the embed codes on YouTube to post it here for people to see. If I want to host an audio file, there aren't many embedded players that can compete. 
When I started producing my audiologs again, I'd considered using SoundCloud. Unfortunately, they cap basic users at 2 hours of total content, and I simply can't afford more space. Before, I was posting my audio files to Tumblr, but that player can't be embedded elsewhere, only linked. It's simply not convenient. I'll still likely use SoundCloud, but only for certain projects, while I'll try something a little more conventional for Venusian Radio. 

Pilot Episode: Chipmunks 1987 vs. 2007 -- Originally, my first episode was going to be about Duck Dynasty's Phil Robertson, but I wanted to warm up first, test the waters with my new recording setup, so I went for an easier target. 

The Filler Episode -- Still haven't worked out the bugs in my hardware, so after finishing a script for a future episode, I gave myself a challenge. It may be breaking a rule I made on my DeviantART journal of devoting myself to fewer-but-larger projects with no filler or cop-outs, but it's no reason I can't produce content simply because the results aren't quite yet up to my standards. 

I'm not sure how well linking to the MP3 files directly works. It always seems to work best on other sites, while in my experience it's always such a hassle, with people saying the links don't work or they get asked for login information. We'll see how well this works out. 

08 December 2013

Stumblrbum's Photo Finish

Tumblr's attempts to make posting photos via their mobile app have more or less all gone to pot. At least, that's been my experience of late. To be fair, it's good that they're trying to make it so you can post sets of photos instead of one at a time. Unfortunately, this simply doesn't work efficiently enough, and when your update is less efficient than spamming single photo posts, you really need to rethink your design schemes.

Recap: it used to be that after I took a photo, I could go into the "share" menu and select "Tumblr" from a list of sites. This would take me to a menu within Tumblr's mobile app to create a photo post, complete with tags and tweet settings. It was all very handy apart from not being able to post photosets.

Now, it's completely reversed. I have to go into Tumblr, select the photo post option, and then be taken to a menu where I can pick the photo from my gallery via thumbnails (more on that later) or go into my camera and take a new photo then. First problem, apart from this being very tedious and rather greedy on Tumblr's part by making "timed exclusives" of my photos, is that I can't access all of my camera's options, like exposure and effects filters. Couple that with the fact that I now have to open one application and make at least two selections in order to open another app which otherwise can start up almost instantly, and this is a really bad start. Second, I noticed that the photos I posted this way had a kind of checker board artifact pattern over them, like an old TV with the RCA cable coming loose. When your 21st century digital imaging system looks like a CRT monitor with flimsy composite connections by default, something's gone fundamentally wrong somewhere very far back in your process.

When something works just fine before an update, that's not a hardware failure, that's a limitation. What makes it really awful is that my phone is middle-of-the-road as far as tech specs go, so your update has potentially cut off about two-thirds of your users. Hell, I've heard from people with better phones than mine that they can't post photos at all, now or before.

Now, I have a good idea what your two cents on the issue is, "Look, you're overthinking this. Just do what you did before. Take the photo, then go into the app and post it then. You said yourself you can see your gallery as a grid of thumbnails to choose from."

Problem the third: Not every photo shows up in that grid, and which ones do and don't at any time is completely random.

Remember that episode of The Simpsons where Burns and Smithers walk through layer-upon-layer of security checks to get to a master kill switch for the power plant, only to find that said room has a rickety screen door that's nearly fallen off its hinges as another entrance? At least there you get to the same room and everything is there that should be because the console is bolted to the floor. There are more reliable ways to get to Narnia than my own damn photos. I'm really not kidding when I say that certain photos I take will not show up in this menu until days later, if at all. This app is in my phone. It literally has access to all my files on that device. I have to give it permission to do this when first installed. It's designed to be invasive, and it can't even do that. When FOX NEWS has a more complete picture of a story than you, it's time to rethink every decision in your life, ever, and when you've reduced me to making FOX NEWS jokes to analogize your incompetence, then you've really screwed up.

Speaking of grabbing at straws and not getting the full picture, today was kinda the last straw. I'm sitting in a Steak 'n' Shake, drinking coffee, eating a cinnamon roll, and making sketches in a notebook, as I'm wont to do at least once a week. Another part of this ritual is taking a photo of my setup, a spontaneous still life. Think of it as a kind of creative litmus test; if I can make coffee and pastry look interesting, I must be doing something right. Anyway, I go into Tumblr to post the photo, going through the menu to get to the camera app that otherwise starts up instantly and taking the photo. Normally, after all that, I get the menu where I can add a caption, tags, and all that other stuff before posting fairly quickly to my dashboard. This time, however, I get an error message that it could not save my photo and to try again later.

This is the equivalent of taking the photo out of my hands, throwing it in the cluttered mess of other photos which haven't simply gone missing, and saying, "Maybe it'll show up later."

The sole redeeming factor in this debacle is that while Tumblr lost my photo, my phone didn't. I could see it in my gallery right away (my gallery, not Tumblr's slapdash interpretation of it) and now, several hours later and using the full version of Tumblr, I can post it here by way of my DropBox, which the photo was auto-saved to within minutes of being taken.



And here's another I took without using Tumblr's increasingly lackluster interface (notice the effects filter):



So, what does this mean? Well, it simply means that my more spontaneous uploads of photos will be posted to Twitter instead of Tumblr (and then Twitter because of auto-share). If I end up taking a lot of photos of something, like stages of a cooking project or something, I'll post them here as a set. Granted, it's entirely possible Tumblr will fix this issue in future updates. However, given that it's made two since I started having this problem, I'm not optimistic anymore. At least now, though, it doesn't crash when I try to read notes on posts. 

28 November 2013

For Sale: Bumper Pool Table, Overused

The title is a joke, partly-based on the purported Hemingway story, and also a nod to my friend Oogle's most recent DeviantART journal being posted in haste to bump a larger journal off her front page. 
While working on a larger, triptych form of When They Fold Space, as well as a version after that which will be a somewhat even longer form, I was looking up Twitter novels. I'd stumbled upon them a long time ago while looking up an author I'd almost forgotten about whom I'd first heard of thanks to a paperback hand-me-down. 
Clare Bell had written a book called Tomorrow's Sphinx, a very interesting book about a cheetah with weird markings that, sadly, I never got around to delving into past the first half-chapter. Eventually, the book was lost in one of several moves, possibly sold off in an oversight, and forgotten. Many years later, I'm looking through Pokemon fan art while compiling a Top 5 list for my Tumblr, and happen upon Umbreon, which has a notably Egyptian styling in terms of color and markings. It made me think of that book. It led me to wonder just what happened to Mrs. Bell. I'd never seen her name elsewhere apart from that one book; it made me wonder if she was a one-hit wonder. 
For starters and to her credit, she's not a one-hit wonder; there's a whole series of books apparently more well-known and much-loved by her fans than Tomorrow's Sphinx. While it's true her activity in literary fields has dwindled a bit, it's not for the sake of resting on laurels. Not only is she building electric cars, but whole solar and hydroelectric systems for green living, and she's been doing that since before the term "green" was in vogue. More interestingly, she embraced Twitter as a way to connect with her amazingly patient fanbase by giving them a new installment in the Ratha series via tweets. 
Some of you may be laughing at that idea, especially if you've spent any real time on Twitter (and I love the service, flaws and all). It's true, the 140 character-at-a-time structure can be a little hard to work with. It probably reminds some of you of old videogames, where a sentence leaves you hanging only to reveal there was only one word left, with a long and awkward pause before it. It's really something you paradoxically have to plan meticulously in advance for yet be extremely malleable about. It seems like something poets would be better equipped to approach, except that poetry is all about syllables, and 140 characters doesn't give nearly as much leeway in establishing rhythm and flow as you might think. Despite a fair amount of good tips out there on how to approach it, as well as a few good examples of making it work, this may be a medium not suitable for the English language. It makes me think of Tommy Tiernan's remark about how the English language doesn't suit his soul, like it's this giant wall between him and his audience, with profanity as his chisel. 

The people who seem to get the most out of Twitter as a new form of modern literature, on the whole, are the Japanese. I remember hearing a story on NPR about people in Japan tweeting reactions and thoughts to the recent earthquake. At one point, the interviewer interrupted the recitation to confirm it was actually a tweet, not only because of how eloquent it was, but how long it seemed. The reader retorted, rather cleverly, that while 140 characters can be fairly limiting for English or Spanish or French, it's no problem for a language like Japanese where most words and even some phrases can be expressed in a single character, a Kanji. 

It's also worth noting that many Kanji, being borrowed from Chinese, have double-meanings. 

Think about it. 

17 November 2013

A Little Verklempt... DISCUSS!

This will simply be a quick and off-the-cuff note about a recent change that is getting quite a bit of attention, that being the complete and full overhaul of YouTube's comment system. As someone hardly a blip (no pun intended) on the typical YouTuber's radar, most of my content there barely netting a few hundred views, I can't say I'm drastically affected by this. Also, as someone who rarely leaves comments on videos anyways on account of some rather nasty flame wars that erupt (especially over copyright, a subject near and dear to my heart), the effect from that side of the equation is equally nondescript. Others' reactions, meanwhile, have been anything but lukewarm. 

In short, it's a classic example of something trying to be made more accessible and less constricting for the sake of more detailed and in-depth feedback, only to be abused by a segment of the population who could care less about any of those things. 

I've gone back and forth on how content producers will disable comments on their respective journals and channels. Some time ago, I stopped allowing anonymous comments on my entries, not due to trolls or spam or anything like that, but something surprisingly more annoying: feigned authority. Put simply, if you're going to claim expertise on something, stand by what you say. 

Remember Rob Granito? Neither do I. 

In all seriousness, Granito claimed to have worked as a ghost artist in the comics industry for a number of big names. When a blogger called him out on his lie, by way of being on a first-name basis with the editors at Marvel and DC, none of whom had ever heard of him, a poorly-written comment appeared on the entry from an anonymous user, insisting Granito was "legitomite (sic)." Sure, it's rather hilarious someone would be that delusional, but 

The fact is we could probably go on for hours about all these "gatekeeping" tactics employed when it comes to comments, be it Xark, Atop the Fourth Wall, Go Make Me a Sandwich, or forums on The Spoony Experiment, but one simple fact is constant, regardless of how it may seem otherwise. 
YOU ALWAYS HAVE OPTIONS. 
If I see a video on YouTube that I really like and want to talk about it, such as a short film I want to give a scene-by-scene analysis, I could try and fit my remarks into a 500 character comment on YouTube itself, wherein it can be replied to and voted upon by potentially anyone else visiting the video's page, or I can link or embed the video on my Blogger or Tumblr page and avoid the character limit at the expense of making the voting and reply options a tiny bit more obfuscated by comparison. Indeed, this has often been a sort of proposed solution by the likes of Feminist Frequency and Xark for their more civil readers following their respective influxes of trolls and cyber-attacks. Critics have called these moves cop-outs against taking criticism (Want to leave a comment? Jump through this fiery hoop!) or ploys for getting more referral traffic (Want to leave a comment? Be my billboard!). As valid as these criticisms may or may not be, I find it nonetheless funny that so many people take an "Us vs. Them" approach, treating any change in the rules as some sort of unfair handicap. Really, all it's doing is decentralizing the conversation from one in metaphorical earshot of the original post and more public to one on your own personal page with any ensuing discussion being mostly private. To put it another way, you can picket or you can petition. You may have more experience and possibly better luck with one over the other, but the task of making either option work best for you is yours alone. You have only yourself to blame for not being heard or taken seriously. 

In short, no one has taken your right to speak away from you. All that's happening is that you need to exercise those rights a little more responsibly and make the most of what you have. If that feels like defeat or oppression to you, then you probably never took your right to speak all that seriously in the first place, if not had an utterly naive understanding of it. 

26 October 2013

Quo Vadimus: The State of the Scroll

October never fails at being a particularly hectic and utterly draining month for me. I don't know if it's the onset of the winter holidays, which carry their own baggage, or that it's the month that follows my birthday, which manages to get more depressing despite my efforts to make it otherwise. Somehow, though, this is the month when it feels like things fall apart, even if they're perfectly solid. 
Following my anything-but-amicable encounter with an eBay buyer (who never lived up to the "buyer" portion of that title, among other shortcomings), I went up to Wisconsin for a few days to see my dad and some of my family, including my aunt. I'd been planning on going up anyway for some time, but after what happened with my aunt's health, I wasn't sure if I'd be going. It's hard to talk about, so this will be brief. In addition to back problems since young adulthood, my aunt recently had trouble swallowing, which she found out was due to a tumor at the base of her skull. It was also starting to have an unusual effect on her voice, a kind of breathy falsetto I got to hear when I called her a few days before her surgery. She'd been run through all the worst-case scenarios of the surgery, and was doing her best to keep a smile on her face despite it all. The good news is that the surgery went very well. 
The bad news is that she had a stroke shortly after. The nurse was moving her from one side of the room to the other when her entire right side fell limp. After being virtually comatose for what seemed like weeks, she began to slowly, painfully come around. She cannot speak, has all but zero control over her right side, and her overall communication and comprehension skills are sketchy at best. When I saw her, there was certainly no questioning her awareness, which I'd heard was the biggest improvement. She had no trouble recognizing me, and seemed utterly ecstatic, even if she couldn't say so. 
In the months approaching her surgery, she'd commented on Facebook how much she liked much of the artwork I'd been posting there, especially the BaRoW and Punch Cards. I'd brought along some blank cards of bristol and a small assortment of my markers. I ended up making three cards while there, with the intention of leaving them with her (I took a few quick snaps of them, but I don't intend to post them; they're too personal). I'll never forget the smile on her face when she saw the third of the bunch. I placed them on a shelf above her bed, next to another drawing I'd sent her (a remake of another black-and-red drawing I'd done, Rubeno Florajoj) that my other aunt had gotten a nice frame for. I gave her a big hug and told her that I loved her. 
I drove back home the next day. The last I'd heard, she was back in the hospital due to some swelling around her incisions, possibly brought on by a bad fall she had a few days before I arrived. I haven't heard any news since then, which can be good or bad. I have no idea what will happen to her, and as hard as it is to talk about what's happened, it's even harder to think about what's to come. 
Since I've been back, I haven't been particularly productive, except for the occasional post to Tumblr or even Flickr (mostly about cooking projects), but apart from a quick stick figure comic about an online gaming ad, I haven't been terribly visible on DeviantART, something that's honestly started to bug me less and less the more I think about it. During breaks at work, I'll break out my little notebook I always carry with me, but rarely will I put anything in it beyond a few random thoughts or a doodle I only find myself doing out of some desperate attempt to feel productive. As I said before, there's really no shortage of ideas (my to-do list is ever-growing and I'd initially only thought to make one card while visiting my aunt, getting ideas for two more while there), it's the other step of the process that tends to get the better of me. It's never fun to miss your own deadlines, and while I've been somewhat ahead of the curve here compared to DevART (my goal here being one entry a month, whether I've got anything or not), I still feel like I've been neglecting this place, which I like to think of as my main site.That is, should anything happen on my other pages (like if I get banned from DA for whatever reason), this will be the fallback. 
So, as much as I hate writing journal entries that are simply, "today I did this/tomorrow I'll do that/yesterday this happened" I guess there's nothing wrong with writing a simple update entry every so often, especially when things slow down, giving everyone a chance to get on the same page and assure everyone these sites are by no means abandoned or even neglected. Trust me, if that happens, there will be a notice posted on the door, a "Dear John" if you will. It's a kind of rule/courtesy I got from a past relationship, that if we ever broke up, we at least owed each other a goodbye letter. Luckily, for anyone who regularly follows my work, this is not that letter. 
Thank you all for your patience. 
Good night, and good luck. 

28 April 2013

My Second Job

This has been a rather hectic week, very draining. I mentioned on Wednesday on my DeviantART account that I sort of had my weekend early. I've been making uploads there nearly everyday, whereas typically I sketch and plan during the week, leaving "showtime" for the weekend. It generally works out as I sometimes have a habit of staying up too late when I work on art; not so fun for workdays, but fits in fine with my weekends. This week, however, I've been a bit antsy and fidgety. I'll get very irrational and jittery, wanting to work on stuff, only for the feeling to peter out and die as soon as I start. I'll tell myself I have to do something, and then do eight other things to avoid it. That may sound like plain ol' procrastination, my mind essentially taking the easy way out to get a sense of accomplishment, except that what I've been doing to put other things off have been more engaging, take more time, and probably give me a much greater sense of satisfaction. Looking at it now, though, while I certainly felt like I was pouring myself into the work, it doesn't quite show through sometimes:




That last one just began as an idea for making the center of an Artist Trading Card square by having lineographs in the borders. I had no idea what the content would be, so I just went with it, and I think they frankly look terrible. I fell back on old habits like trying to pass off obscurity as talent. It feels like I might as well have posted pages from my notebook with an Instagram filter slapped over it. I tried to push myself forward, thinking that if I make a lot of stuff I can make up for the lack of quality with quantity. Really, it was acknowledging spreading myself thin. In my defense, I do have an upcoming painting project that will involve making 50 similar pieces, so I am legitimately trying to make myself produce as much as possible for reasons other than a self-defeating defense mechanism. I wish I could apply that excuse universally, though.

Most of what I've been putting off are things I have to write. It wouldn't be any big deal except that they're essentially replies to people, all somewhat related, and rather taxing. They don't get particularly personal or anything, but they are nonetheless revealing and honest.

It involves two journal entries on DeviantART about Anita Sarkeesian's video project Tropes vs. Women. Why two? Well, one is the actual criticism I have for her work (Short version: subject matter's fine, my issues are elsewhere), while the other is a sort of full disclosure. Basically, I'm going to map out where I stand on the spectrum of feminist ideals with a short list of random thoughts about women and my relations with them. It's been a bit tough to write because while I've been outlining it in my head the entire week, it all breaks down when I sit down to write it out, even if it's to jot down the thought I just had. I've never really had that problem before, and it worries me.
Writing has always bugged me a little because I'm the kind of guy who sweats every word. When I draw or paint, there's only so much "undo" I can do, and I'm generally stuck with whatever I make. Most of the time, fortunately, I like it a little better than what I first envisioned. With writing, though, I've got infinite levels of Undo, with no real loss besides time. Doesn't sound like a big deal, though as I mentioned, I promised these two journal entries, I'm not going back on it, and I've got something similar to do that's for someone.
Oogle wrote a journal entry on her Tumblr that I've been trying to reply to since she first posted it. I'm not going to tell you which one. At first, I was going to relbog it and add what I wanted to say to it. As I gathered notes for it, though, I started to have doubts about doing that. On the other hand, while it's essentially a reply to her, it's written as an open letter to the people she mentions in the original Tumblr entry. If that makes absolutely no sense at all, that's part of the problem.

This is how my mind works most of the time.
I feel like it's starting to wear on me, but if I back out or drop it, I'll feel worse.

Good night, and good luck.

19 January 2013

You Needn't Fear


You Needn't Fear by *NeuronPlectrum on deviantART

Tried something different with this one, albeit it started as just faffing about instead of working on other stuff. I put the watermark below the image instead of over it (I'll have to figure out how to put a drop shadow on text in GIMP) and I also submitted this directly to my Tumblr page (instead of just using the share buttons on the Deviation page). I don't quite agree with the notion that Tumblr is a good place to post art in lieu of either DeviantART or the like. At least, I don't think it's a good place to post art exclusively. I may write more about this sentiment, but not right now.

UPDATE: And just for the sake of redundancy (and entertaining the possibility of using Blogger as well as Tumblr to post artwork directly, here's what the image would look like if uploaded directly here).

26 May 2011

Democracy is Not My Friend

Well, when I checked on the survey I posted to DevART regarding the film that needs defending, I found that nearly each item has one vote. Granted, I don't have that many followers (or at least followers who care to hear my awful voice), but I was kind of hoping it'd spark a little more interest. As a result, I've had to take a slightly unscientific approach to choosing. In addition to the survey results, I've gotten a comment essentially voting against two of the titles, which I'm counting to cancel out two of the votes on the survey.

Of probably more importance is the fact that I hate my template. It looked cool, but I hate that I can't actually see replies on the page. I see them in my dashboard, but that just strikes me as pointless. I also hate that I can't see when replies are posted, but that may just be how tumblr is. Anyway, the point is that I need a new template and can't be bothered to learn CSS (I don't even know how I modified my Blogger page's template), so please suggest one to me.

I prefer minimalism, but I love data. I like light text against dark backgrounds, and want to see replies to my posts on the page instead of just my dashboard.

Those are my stipulations.

18 May 2011

Here, there, everywhere...

It's been a long time since the last post because I've been focusing on my art instead of my writing, which it should be known by now, is how I've operated creatively for years (don't ask about my Flickr stream, that's gathered enough dust to cut off the robot empire's power supply were it kicked up into the air).
However, more recently a number of my friends from DeviantART have all gotten Tumblr pages and have been asking me to jump on the bandwagon.
Technically speaking, there's virtually nothing that separates Tumblr from Blogger from LiveJournal from (you get the idea) except for a slightly slicker user interface and a few more options as far as just what exactly can be posted. As such, when I finally gave in and decided to get an account, I set a rule for myself that I would only post things there that I couldn't do just as well here on Blogger or DeviantART or Flickr. If anything, I might only consider something like that if I have to abandon one of those accounts for some reason, like getting hacked or banned. After a brief survey on my DeviantART page that yielded neither a definite yes or definite no on any of the ideas listed, I kind of did the dictator thing and went with what I kind of half-had in mind all along, which was a podcast.
Without going into the long and technical details of why that's never really an easy thing to set up on a weblog or why Tumblr is better suited for the task than Blogger, the reason for choosing it is that, apart from a regular webcomic, it's the one thing I've never really tried. The show would be irregularly updated, would cover a wind range of topics, and be mercifully short at about 5-6 minutes in length (I'm really not up for the stream-of-consciousness banter of something like Fast Karate for the Gentleman or the erudite panel discussions of The Greatest Movie EVER! podcast, and I don't think anyone else really is either). Also, as the show would progress, I'd start to include 1-2 minute pre-recorded guest segments, which could either be pre-arranged for upcoming topics and/or rebuttals for previous episodes' contents.

LIFE UPDATE:
I'm leaving tomorrow afternoon for Albuquerque and will be back Saturday afternoon. My brother is graduating from Med School, and this will be the first time I get to see my niece Fiona apart from photos on my brother's and sister-in-law's Facebook pages.

The truth is I'm actually really ambivalent about the trip, and the stress feels like it's giving me ulcers. Without getting into the whole tension-and-drama business that's effectively gone on in my family for at least the past 10 years following my parents' divorce (which will reach the 11-year mark this June), there's a distinct possibility I'll spend a large part of the trip repeating the phrase, "I don't care."
Okay, here's a little detail: My dad and my brother are, at present, not speaking. Am I surprised? No, not really Do I care? Again, no. Trouble is, in this family (chiefly my mom and at times my brother, which is a whole other matter I won't go into), having no opinion means I'm a blank slate that can have written endlessly upon it all the details of the transgression that I really couldn't care less about. If I sound like I'm overreacting, it's entirely possible that I am, but I'm working from a premise of this happening in the past. At its core, it's a lot of trust issues, hearsay, paranoia, cognitive dissonance, and even retcons, all of it completely baseless and unwarranted, yet persisting regardless. Having a difference of opinion or viewpoint is seen as having something horribly wrong with you, and there is no such thing as irreconcilable differences. In other words, half of the family has been able to adapt and cope in the wake of the divorce, the other half hasn't. That's not to say one side is right and one side is wrong, simply that they are fundamentally incompatible and have difficulty co-existing.

Then there's the flight: I can't stand flying. it's not so much a fear, per se, just that it's hardly my preferred method of travel:
1) Driving
2) Train
3) Bus (maybe, I haven't been, personally)
Also, I hate the Goddamn TSA. Once upon a time, I was one of those saying with full confidence and a straight face, "a little loss of privacy is fine for the sake of security." Now, however, I can't say that anymore, because it's gone too far. The enhanced pat-downs and strip-ray machines are as invasive as they are completely and utterly ineffective.
What's really funny about the whole thing is that when these machines (and gropings) were introduced, the proponents kept mentioning the Underwear Bomber as part of their case.

Here's the punchline: neither of these methods would have spotted him.

Amidst that, the "Don't touch my junk" phenomenon, and a story I'd read about a rather embarrassing incident involving the urinary apparatus of a cancer survivor, the TSA is a total failure on nearly every level that a government organization can. This is no longer security, this is paranoia (though I'll admit it's not comforting hearing of potential retaliatory attacks in the wake of Bin Laden's death when you're planning a flight).


That's it, I'm done, I need sleep.

12 October 2010

QuikTek

I mentioned Twitter last time, and writing about how I appreciated its versatility made me remember something. The first weblog I ever had was on Yahoo!360. I knew well of (and hated) MySpace, but hadn't heard of Facebook. I always preferred 360 to MySpace because it seemed that 360, by virtue of being a Yahoo! service, attracted a wider and more eclectic audience, whereas MySpace was almost exclusively a teen phenomenon. Call it ageism or technophobia, but it's probably safe to assume that more people have an e-mail address than a MySpace account, therefore that older and/or less tech-savvy generation still "ooh"-ing and "ah"-ing over Electronic Mail will be more likely to start up a weblog if that service is offered as part of the "packaged deal" that came with their e-mail account as opposed to seeking out an external, self-contained site that requires separate registration. In other words, on Y!360, you got more people who would probably not have otherwise started a weblog because they wouldn't want to leave their comfort zone.

Yahoo!360 is gone now, crushed underfoot by practically every other social networking site in existence, the key problem being a few unresolved technical issues (which led to my friend Vanessa tragically losing her entire account), the others being a deliberate dismantling by Yahoo! in light of a proposed buy-out of Facebook and an attempt by Yahoo! to make the networking tools of 360 a more integrated part of one's Yahoo! profile. I've archived those entries to a site called Multiply, a rather shameless MySpace knock-off. I won't link them here; they're not much to look at. Most of them recount my obsessions over my own personal pet peeve about 360 in light of other weblog sites like Multiply or Blogger, which was mobile-friendliness. I prided myself on "breaking the system" by using my PSP's built-in web-browser and wi-fi to write entries in clear defiance of desktops. It probably went a little too far; every time I got a new device, my readers would know it, evidenced by my "Hey, guess what I'm writing this on!" style of entry.

There was something I don't think I ever said on 360 and I think I never said it because I wasn't actually sure how well it would translate to text, so here goes:

The very best thing about 360 is that WE'RE ALL DIFFERENT, COMING FROM ALL WALKS OF LIFE, ALL OVER THE WORLD, and yet, at the end of the day, we're all just sitting at home in front of our computers, talking to one another.

the very worst thing about 360 is that we're all different, coming from all walks of life, all over the world, and yet, at the end of the day, WE'RE ALL JUST SITTING AT HOME IN FRONT OF OUR COMPUTERS TALKING TO ONE ANOTHER.

The point is, while I may have been seemingly singing the praises of Twitter last entry, my adoration is almost entirely conceptual; the first social networking site made with mobile networks distinctly in mind. By its very nature, it encourages people to go out into the world and not feel tethered to their undoubtedly uncomfortable desk chairs in front of their undoubtedly cluttered and cumbersome desks upon which rest their undoubtedly ghastly laptops and monolithic desktops.

To crib a saying by filmmaker Jean Cocteau: Weblogs will never truly achieve anything until they can be taken to all the same places ordinary notebooks and pens can go.

Twitter was a good start.

Tumblr appears to be the next step.

Evernote is the long stride between them.